Does technology generate more talk, less conversation?

There’s an interesting article in The Atlantic based on an interview with the publication and Sherry Turkle, a psychologist and a professor at MIT. She recently released the book Alone Together: Why We Expect More From Technology and Less From Each Other in which she argues that we are losing the art of conversation:

“Conversations, as they tend to play out in person, are messy—full of pauses and interruptions and topic changes and assorted awkwardness. But the messiness is what allows for true exchange. It gives participants the time—and, just as important, the permission—to think and react and glean insights. “You can’t always tell, in a conversation, when the interesting bit is going to come,” Turkle says. “It’s like dancing: slow, slow, quick-quick, slow. You know? It seems boring, but all of a sudden there’s something, and whoa.” Occasional dullness, in other words, is to be not only expected, but celebrated. Some of the best parts of conversation are, as Turkle puts it, “the boring bits.” In software terms, they’re features rather than bugs. The logic of conversation as it plays out across the Internet, however—the into-the-ether observations and the never-ending feeds and the many, many selfies—is fundamentally different, favoring showmanship over exchange, flows over ebbs. The Internet is always on. And it’s always judging you, watching you, goading you. “That’s not conversation,” Turkle says. She wants us to reclaim the permission to be, when we want and need to be, dull.”

I like the idea of the occasional dullness. The idea that breaks or gaps in a conversation is actually help drive the conversation. Check out the whole article.

Advertisement

Creative Academy @ Golden Drum: Social Currency fuels Braveness & Creativity

Last week I was in Portorož (Slovenia) to give a presentation at 20th edition of the Golden Drum Awards. To this creative audience I wanted to show that the necessity of building social currency for brands calls for bravery and creativity and as such is a great opportunity for the business that we are in.

We know that we have a lot less control of what is being told about a brand today. In the world where we control messaging we need great storytelling, but that alone isn’t enough anymore. We also need to make sure we try to influence the part where we have no control: “giving people a story to tell to each other”. We believe it’s key for brands to do both.

Web_GoldenDrum

But too often today when you talk about influencing the uncontrolled part we end up quite immediately into social media content. When business discovered social media in 2005-2006 with blogging, it proved an interesting way to share opinion or backstages stories around a brand. In the better examples CEO’s would openly talk about their business once a week in a lengthy blogpost that would allow people to reply to. When LinkedIn but especially Facebook came along, more content (but smaller pieces) was needed for updates several times per week. And with Twitter brands are urged to posts several times a day. At the same time content became more visual, we all know (I hope) the importance of the visual web. This trend however has brands talk to us as we are all ignorant kids and to be honest, most ‘branded content’ is actually worse than the 30″ commercial that so many hate.

Managing the conversation is not the same as provoking the conversation. And we should have the tactical rules of social rule our decisions in developing content to provoke. We no only think you should provoke a conversation, it should result in a conversation worth remembering. As an example I give the campaign we created for ‘Stop The Traffik’. This campaign is approximately 2 years old and yet 1 month ago 2 million views were added to the video when Upworthy discovered it (again). And since the the conversation that came out of it is still as valid for the brand is it was at launch.

That brings us to social currency. You create that when you repeatedly created social objects. And as I’ve written before, with the social object, it’s not so much the object that is important as it is the conversations it triggered around it. My business card is a social object. Almost every time I hand it out people ask me what ‘Change Architect’ (my second role) means and by explaining that I already get a chance to explain why change is important for the agency and how that defines the work that we make.

So why then the necessity for bravery & creativity in building social currency? In my presentation I list 5 points:

  • Provocative insights
  • Surprise & entertain
  • Make it irreverent
  • Make it awesome
  • Let go

But remember, this is not a science so stay agile and adapt constantly while creating.

Photo credit Golden Drum

Calling Marcus Brown and his 14 characters [interview]

When I started blogging again a couple of weeks ago I also knew that I wanted to do more than just write posts about stuff interest me. I also wanted to find a way to share small digital snippets of things that amuse me or inspire me for which I’ve ‘refurbished’  my Posterous. The other idea I had asked for a bit more preparation. The last few years I’ve met quite a few people via the blog or the work related travels, people that have inspired me and still do today. They inspire me because in my view they do something unique; because they are and think different. The idea was to have (and record) a conversation with them and to make sure you get to know them as well the way I do.

Marcus Brown is the first person I’ve interviewed this way. And thankfully (because he’s got all this tech knowledge) he is also the one who told me how to record this conversation so I could post it here. If I remember well Marcus and I first ‘met’ via The Age of Conversation, it was definitely around that time frame. Marcus is an Englishman living in Germany and does all kinds of fascinating stuff online, creating characters and stories that have amused me for quite some time now. So in case you didn’t know Marcus yet, here’s your chance to get to know him. Marcus and I talked about how he started creating transmedia characters, about the development of complex narratives and storytelling. The real thing, here we go.

Like Marcus mentions during the talk not all content remains online after finishing ‘a series’ but here are a few links:

And last but not least his latest project ‘I Walk for Dr. Peter Figge’ where you can follow the evolution of Marcus’ 800km walk from Munich to Hamburg to meet with Jung von Matt’s CEO. Follow progress and support Marcus right here.

Thanks for the chat Marcus! And thanks for being the guinea pig on this one ;) And to all of you who listened, feel free to feedback on the format and execution.

What the F**k?

What the f**ck is Social Media: one year later. A presentation I suppose a lot of you have seen right now, as it was posted about 2 months ago and pretty much every blog on social media posted it by now. So why am I still posting it now then? Because only recently someone made me aware of the those 2 lovely kids on slide 5… those are mine :).

The photo was taken for the Age of Conversation ebook project.

I’m listening…

But do you care? Did you really want to have a conversation to begin with? Well maybe not you you, but consumers in general? With all the talks about companies and their need to be part of the conversation etc… I get all that, I’m a believer and everything. But what about the consumer? Does he really want to have that conversation? Sometimes I believe they don’t, or at least not everyone does. Sometimes people just want to shout out, make a statement, … without expecting, hoping or even wishing for an answer.

Kris Hoet
Photo by Joi Ito – taken at the SIME08 Blogger Meetup

It was the Facebook discussion during the Kinepolis blogger meetup that got me thinking about this again, but it’s something I experienced on quite a few occasions myself. Someone calls out for support, feedback, … or complains about something on their blog, Twitter, etc and you reach out to see how you can help. I would say that in +50% of all cases you never get an answer back.

Therefore my question. Don’t get me wrong, I’m not pessimistic about ‘the conversation’ and believe companies should do a better job at listening, I’m just saying that sometimes consumers also just want to talk to/about companies and that they’re not always interested in listening to what those companies have to say in return.

2nd Edition: Age of Conversation

Some 18 months ago I was part of a project called the “Age of Conversation” and today I’m happy to announce that the second edition of the “Age of Conversation” is a fact. Instead of 100 authors there are over 200 contributors this time (not me anymore) and it’s themed around “Why don’t they get it”. Other than that, all proceeds still go to charity so to encourage you to by the hardcopy this time, John Moore lined up the ‘Money Quotes’ in one little presentation.

Famous Jaffe

Last Friday I was invited by Famous to come to their annual BBQ at the Africa Museum in Brussels. They also had arranged for Joseph Jaffe to come and talk about The Conversation to the audience of marketers and advertisers. I had wanted to see Jaffe present again as last (and first) time I saw him was in November 2005 and it was good. Given the post about that presentation was only the second one I had ever written on a blog, it’s fair to say it was part of the reason that I got into blogging to begin with (just like reading “Naked Conversations” was another one). Another reason why I was interested to go was because it would be a good opportunity to finally meet face to face, after several conversations online.

And just like in 2005, Jaffe never seems to disappoint as a presenter. Reading his books always leave me somewhere in the middle, I like them because they’re well written but most of the content is not new to me so that makes them less interesting. But then again, I don’t belong to the core target audience for these books either. The marketers and advertisers invited by Famous do belong to that audience though and I really hope they will read the book. Since everyone received a free copy that shouldn’t be too much of a challenge :)

ConversationalMarketingConstruct

One of the slides that interested me most was the one above about “The Conversational Marketing Construct”. I thought it was an interesting exercise on defining the innovation process, and something we ought to use to check on our own progress with Bring The Love Back.

Overall, very good presentation and glad to finally meet Joseph in person. There were a lot of good statements being made during the presentation but since Clo captured most of them in her Twitter stream, I suggest you check that one out. My favorites:

… And this is my social security number and my bank account. Since you’re all marketing professionals I know you’ll be too lazy to use the data to get into contact with me anyway” (when showing his AMEX, bank account, etc details on his ‘who’s Jaffe’ slide)

Or this one…

It’s not enough to get your foot in the door. Consumers are now so powerful they would break it. They would have to ask you in.

Inspiration, Anyone?

When we launched ‘The Break-Up’ about a year ago we were impressed with the feedback we got on it. Yes we thought it was good, but still we never expected it to be as big as it became. And feedback was good, people like how we portrayed the changed relationship between consumers and advertisers. The second most common feedback was what we would do about it. We showed we understood the shifted relationship, what does Microsoft Advertising have to offer that work this changed situation?

In the second installment the advertiser is at his agency trying to figure out a way to solve his problem. This one is about inspiration… but just check it out for yourself.

Check getinspiredhere.net

One conversation. 275 voices.

When 2 guys come up with an amazing and unique idea and manage to deliver it, what do you do next? Do something even more amazing? Exactly :)

The Age of Conversation learned me a couple of things:

  • If you’re passionate about something, any kind of collaboration can work. Look at how someone in the US and someone in Australia figured out how to get a book written by a 100 or more people living all over the world.
  • When you’re sharing a passion with other people, it creates a bond that you didn’t imagine to be possible in a situation where you’ve actually never met most of these people. I’m pretty sure that everybody who was part of the original Age of Conversation will testify to that.
  • The internet enables conversations globally, but nothing beats meeting people in real life – hence why some of the same people driving the AOC are now also driving the Blogger Social event in NYC. I’m not sure how big the overlap is between the 80 Blogger Social attendees and the AOC, but believe me when I say it’s big.
  • Even if the length of the article is about the same as a regular blog post, writing for a book is harder than for a blog. Now this may seem very logical to most of you, but it became really clear when I did my writing for the AOC.
  • The term ‘conversation’ is not overused at all. I’ve mentioned before how powerful it is as a metaphor and as long as it takes to make sure more people get it… we’ll have to continue the conversation.

The last point is also a good intro the the AOC v2 as all participants voted for “Age Of Conversation: Why don’t people get it?” and this time 275 authors will contribute to the book, more than double the amount of last year. Hopefully we can duplicate that effect as well on the proceeds of this book which all go to charity.

Here are all the 275 contributors, myself included:

Adam Crowe, Adrian Ho, Aki Spicer, Alex Henault, Amy Jussel, Andrew Odom, Andy Nulman, Andy Sernovitz, Andy Whitlock, Angela Maiers, Ann Handley, Anna Farmery, Armando Alves, Arun Rajagopal, Asi Sharabi, Becky Carroll, Becky McCray, Bernie Scheffler, Bill Gammell, Bob Carlton, Bob LeDrew, Brad Shorr, Bradley Spitzer, Brandon Murphy, Branislav Peric, Brent Dixon, Brent Macfarlane, Brian Reich, C.C. Chapman, Cam Beck, Casper Willer, Cathleen Rittereiser, Cathryn Hrudicka, Cedric Giorgi, Charles Sipe, Chris Kieff, Chris Cree, Chris Wilson, Christina Kerley, C.B. Whittemore, Clay Parker Jones, Chris Brown, Colin McKay, Connie Bensen, Connie Reece, Cord Silverstein, Corentin Monot, Craig Wilson, Daniel Honigman, Dan Goldstein, Dan Schawbel, Dana VanDen Heuvel, Dan Sitter, Daria Radota Rasmussen, Darren Herman, Darryl Patterson, Dave Davison, Dave Origano, David Armano, David Bausola, David Berkowitz, David Brazeal, David Koopmans, David Meerman Scott, David Petherick, David Reich, David Weinfeld, David Zinger, Deanna Gernert, Deborah Brown, Dennis Price, Derrick Kwa, Dino Demopoulos, Doug Haslam, Doug Meacham, Doug Mitchell, Doug Hanna, Doug Karr, Drew McLellan, Duane Brown, Dustin Jacobsen, Dylan Viner, Ed Brenegar, Ed Cotton, Efrain Mendicuti, Ellen Weber, Emily Reed, Eric Peterson, Eric Nehrlich, Ernie Mosteller, Faris Yakob, Fernanda Romano, Francis Anderson, G. Kofi Annan, Gareth Kay, Gary Cohen, Gaurav Mishra, Gavin Heaton, Geert Desager, George Jenkins, Gi Hoffman, Gianandrea Facchini, Gordon Whitehead, Graham Reginald Hill, Greg Verdino, Gretel Going, Hillel Cooperman, Hugh Weber, J. Eric Potter, J.C. Hutchins, James Gordon-Macintosh, Jamey Shiels, Jasmin Tragas, Jason Oke, Jay Ehret, Jeanne Dininni, Jeff De Cagna, Jeff Gwynne, Jeff Noble, Jeff Wallace, Jennifer Warwick, Jenny Meade, Jeremy Fuksa, Jeremy Helipern, Jeremy Middleton, Jeroen Verkroost, Jessica Hagy, Joanna Young, Joe Pulizzi, Joe Talbott, John Herrington, John Jantsch, John Moore, John Rosen, John Todor, Jon Berg, Jon Swanson, Jonathan Trenn, Jordan Behan, Julie Fleischer, Justin Flowers, Justin Foster, Karl Turley, Kate Trgovac, Katie Chatfield, Katie Konrath, Kenny Lauer, Keri Willenborg, Kevin Jessop, Kris Hoet, Krishna De, Kristin Gorski, Laura Fitton, Laurence Helene Borei, Lewis Green, Lois Kelly, Lori Magno, Louise Barnes-Johnston, Louise Mangan, Louise Manning, Luc Debaisieux, Marcus Brown, Mario Vellandi, Mark Blair, Mark Earls, Mark Goren, Mark Hancock, Mark Lewis, Mark McGuinness, Mark McSpadden, Matt Dickman, Matt McDonald, Matt Moore, Michael Hawkins, Michael Karnjanaprakorn, Michelle Lamar, Mike Arauz, Mike McAllen, Mike Sansone, Mitch Joel, Monica Wright, Nathan Gilliatt, Nathan Snell, Neil Perkins, Nettie Hartsock, Nick Rice, Oleksandr Skorokhod, Ozgur Alaz, Paul Chaney, Paul Hebert, Paul Isakson, Paul Marobella, Paul McEnany, Paul Tedesco, Paul Williams, Pet Campbell, Pete Deutschman, Peter Corbett, Phil Gerbyshak, Phil Lewis, Phil Soden, Piet Wulleman, Rachel Steiner, Raj Menon, Reginald Adkins, Richard Huntington, Rishi Desai, R.J. Northam, Rob Mortimer, Robert Hruzek, Robyn McMaster, Roger von Oech, Rohit Bhargava, Ron Shevlin, Ryan Barrett, Ryan Karpeles, Ryan Rasmussen, Sam Huleatt, Sandy Renshaw, Scott Goodson, Scott Monty, Scott Townsend, Scott White, Sean Howard, Sean Scott, Seni Thomas, Seth Gaffney, Shama Hyder, Sheila Scarborough, Sheryl Steadman, Simon Payn, Sonia Simone, Spike Jones, Stanley Johnson, Stephen Collins, Stephen Cribbett, Stephen Landau, Stephen Smith, Steve Bannister, Steve Hardy, Steve Portigal, Steve Roesler, Steven Verbruggen, Steve Woodruff, Sue Edworthy, Susan Bird, Susan Gunelius, Susan Heywood, Tammy Lenski, Terrell Meek, Thomas Clifford, Thomas Knoll, Tiffany Kenyon, Tim Brunelle, Tim Buesing, Tim Connor, Tim Jackson, Tim Longhurst, Tim Mannveille, Tim Tyler, Timothy Johnson, Tinu Abayomi-Paul, Toby Bloomberg, Todd Andrlik, Troy Rutter, Troy Worman, Uwe Hook, Valeria Maltoni, Vandana Ahuja, Vanessa DiMauro, Veronique Rabuteau, Wayne Buckhanan, William Azaroff, Yves Van Landeghem