There was an interesting article in The New York Times about ‘The Cost of Paying Attention‘. And why that is a problem. Not so much for those in need of attention, but for the people paying attention, that it consumes the very necessary time need to think and be creative:
“Attention is a resource; a person has only so much of it. And yet we’ve auctioned off more and more of our public space to private commercial interests, with their constant demands on us to look at the products on display or simply absorb some bit of corporate messaging. Lately, our self-appointed disrupters have opened up a new frontier of capitalism, complete with its own frontier ethic: to boldly dig up and monetize every bit of private head space by appropriating our collective attention. In the process, we’ve sacrificed silence — the condition of not being addressed. And just as clean air makes it possible to breathe, silence makes it possible to think.”
Make sure you make you mike the time needed for silence. There’s a nice little book published by TED called “The Art of Stillness” that I bought recently that taps into the same issue. Think about making time for silence, time to be bored, you will benefit from it.
Bonus link – In case you forget how much time you’re actually asked to pay attention, watch this 8 year old video ‘Kapitaal‘ made as an art project by Studio Smack.
We live in a world driven by data and although we probably don’t even understand half of it or don’t even bother to look into it as we should, decisions aren’t taken unless they can be fully rationalized. As Rishad Tobaccowala mentioned in a recent post:
“In marketing we worship the algorithm and its superiority to human decision making.”
He makes a good point. He continues with:
“In the world of media we are so fixated on the plumbing of finding the right person at the right place at the right time that we forget that the interaction we deliver will have to be absolutely right and brilliant not to piss of this superbly well located person at the exact right time. The better the “targeting”, the more important the tone, content and quality of the interaction. Lets think about the poetry versus just the plumbing.”
This reminded me of the conversation between Bill and Melinda Gates during this year’s TED event in Vancouver. Somewhere in this conversation – hosted by Chris Anderson – it’s clear that part of the magic between these 2 people in spending billions of dollars to charity is the mathematical approach of Bill Gates combined with the more tangible, human experience of Melinda with the people involved in the decision. Something they obviously recognize as a necessity in their decision making.
Tom Goodwin wrote an interesting piece for The Guardian where he talks about how to reinvent the agency structure. No rocket science but I think it’s an interesting take on the the current ‘structure’ if there is one and at least it does away with the classic ad agency / digital agency split in a way that makes sense:
Visionary agencies would be a group of innovators, technologists, futurologists and business strategists; they’d spend their time focusing on activity two years ahead and beyond. Their scope would be to improve the products/services made, on branding, positioning, and on understanding the future of marketing.
Brand agencies would be the closest agency to what we consider advertising today. A mixture of talent across all current agencies, to include PR, and some retail and talent from all new technologies, their job would be to build brands and classic upper-funnel activity. Their time horizon would be three months to two years. These are artists that design and shape the brand, and then produce ads and marketing to tell that story, and build brand equity.
Performance agencies would focus on the next two months. Their scope would be to understand how to tweak marketing and communication tactics, how to use automation, clever SEO, retail out-of-home advertising, flow advertising, creative optimisation, real-time marketing, short term PR, promotions at retail and many other tools to perfect the conversion of equity into sales, or in other words, largely lower-funnel activity.
Pat Fallon shares his thoughts on how to get your clients to take creative risks:
“Taking risks is part of our business. One key to persuading clients to take a risk is tightly aligning strategy with the creative approach. Although some observers think advertising comes down to crazy people sitting in a room brainstorming, strategy is the rigorous, behind-the-scenes part of our process—it’s driven by research and consumer insights, and it helps to precisely define what the company is trying to accomplish with a campaign, who the campaign is meant to reach, and why it’s going to trigger a specific response that drives sales. An idea that may seem risky during a presentation will look less so when it’s clear that we’ve thought it through. The client realizes, “These guys understand my business. They understand the flow of money. They are putting my success at the forefront of decisions.” That creates enough trust for the client to say, “OK, I’m going to hold my breath, hold my nose, and jump into the water with you.””
There’s a lot of talk about shareable content and what it means to go viral. This post is in no means a guide to make sure content does go viral, with this post I hope to help people understand why content spreads and if that is really what has happened in the first place. The reason I think this matters is because marketers are judging other brand’s content to understand what worked and what didn’t hoping to replicate, but they aren’t necessarily always looking at the right data. And since I get into conversations related to this topic constantly, I figured it would be well worth sharing this idea of share rate here as well.
Enough for the introduction, I will use online video (ads) as an example, but the theory works for all kinds of online content, although the data sources will be different of course. There are two key numbers that people tend to look at when judging the succes of online video: views/impressions and shares, although I presume that’s already a distant second measure.
Youtube for instance has its own way to rate popularity of video ads, that is explained by themselves rated based on “an algorythm that factors in paid views, organic views and audience retention” – the Youtube Leaderboard. It’s unclear what the weight of each element is, but it’s clear that it’s mostly based around views. It is also the only number mentioned in the rating. As an outsider it’s difficult to judge only on that number what made each video succesful, was it the idea or was it the mediaspent? Knowing what Youtube’s business is about, there’s no need to explain why this rating makes sense for them.
So it’s important to look further. If you as a marketer (or agency creative) want to figure out why something worked views aren’t the best number to look at on its own. Unruly Media created another way to measure video by looking at the amount of time something was shared on social media. The ads chart is sponsored by Mashable, but you can also look at popularity of other video content. If you want to understand why content was spread amongst people it’s probably a good idea to check if it actually spread in the first place.
Here’s where it becomes interesting. The ranking based on shares looks pretty different than the one based on views, if you look at Youtube’s n2 for August for instance, you will see it’s almost impossible to find in the Unruly ranking. So it’s clear, you wonder how content spread? Look at the shares. But that’s not all.
Let’s look at a classic video we all know for instance: Evian Babies. With over 3 million shares that puts it at number 7 in the Unruly Viral Ads Chart of all time. Very succesful, but does that proof it was spread across social and hence a big succes? Not quite. Paid views will also generate shares – paid and organic. So we need to look beyond that. Here’s where the share rate comes in. The best way to judge whether a video was viewed because people shared it across the web is to look at the ration between views and shares. There’s a few ways to look at it, we use [shares/views] as the ratio, some use percentages, the idea remains the same.
Truly viral content such as ‘Dumb Ways to Die‘ or our own ‘Push to add drama‘ will have a share rate in between 1/20 and 1/10 or even higher (meaning 1/9 or 1/8 but you won’t see those number appear much). Evian Babies – to come back to that same reference – has a ratio of 1/40 and the other example I mentioned (Foot Locker – Youtube’s August n2) has a ratio of 1/200. I would reckon that everything below 1/15 (probably) or 1/20 (definitely) received some kind of ad push. The lower the number the more views were generated through advertising (versus organic) obviously.
The share rate on its own doesn’t say much either of course, a high rate with little views isn’t much of a succes. But if you really want to know why a video was seen by so many people then this is the measure you need to look at. Does that mean those other videos weren’t successful? Of course not. Is it wrong the push videos online with media? Ofcourse not. But want to understand where success came from with the little data you can access? Find the video on the Unruly chart (they show both views and shares – makes it easy) and calculate the share rate.
For the record, Youtube also has a kind of share ratio they use in their presentations but it’s not meaning the same thing. They will look at the ratio between paid views and organic views. Again, thinking of their business selling video ads, I makes for them to correlate paid versus organic views, rather than views versus shares as I suggested.
As mentioned in the beginning I used video to explain but this idea of share ratio counts for all types of content and thus should help you analyze success (or not) of others in good way.
(Please note that I only use examples to illustrate a point, it’s no judgement at all about the videos themselves).
As you might have ready I started with a new email newsletter called WARPED in which I curate some of the best ideas, data, trends and other awesomeness I came across the last week on the worldwide interwebs. You can read #1, #2 in the archive and #3 will arrive tomorrow – and if you like it sign up you can do so here.
The choice to do this in an email was simple. I can more easily share things than I can on this blog and it has a longer lifetime than links shared on Twitter. The decision to actually go with the email format was inspired by some other folks that have their own newsletters – and yes that you should all subscribe to.
A few weeks ago I did a talk about the ‘Rebirth of Advertising‘ at TEDxLiege. Rebirth was the theme of the TEDx event that day and I wanted to bring a story that proves it is actually a great time to be in advertising today. That is if you don’t think about advertising as the intrusive, obnoxious thing that interrupts interesting experiences. Here’s how I define advertising:
“Advertising should be about enabling stories to be told. Whether those are brand stories, product stories, consumer stories, … Why would I listen to anyone if it they don’t have something interesting to say?”
Also when I started developing the talk I wanted it to have no advertising in it, I wanted it to excite people about a business I am excited about without showing entertaining work. You can see the 18′ talk in the video below.
Thanks to the team at Duval Guillaume for trying to push the boundaries of advertising every single day and special thanks to Mike Arauz (Undercurrent) whose thinking influenced me quite a bit lately. Thanks Mike!
This internet thing has been one gigantic playground for me pretty much since the first day I got sucked into it sometime in 1997. Whether it was the projects and experiments that I could do for the different employers, the evolution of digital on its own and my own personal experimentations (such as this blog in 2005) the internet never stops to amaze me. Today I started out something new – although it’s kinda old. I’ve just sent out the first edition of WARPED, an email newsletter I will be sending out from now on on a weekly to bi-weekly basis. It felt like I needed a way to share interesting information, insights, ideas, … found around the internet to those interested in a way that is in between what this blog allows me to do on the one hand and sharing things on Twitter on the other. Hence the creation of WARPED.
Whatever the online media mix I’ve always been convinced that a company’s website is the central building block. There are many beliefs that have evolved over time, yet this one hasn’t, I think it’s key for brands to consider the main website as the most important owned media. That and the development of an direct email program. The biggest mistake brands can make is to consider social media as being part of their owned media because social media are at best ‘rented’ but definitely not owned. If it were owned, you would be in control. Hence why you want to make sure that the central element of your online mix is something you can control.
It’s like we’re trying to fix a problem that shouldn’t have been a problem to begin with. The same reason why I don’t like to use the term ‘corporate website’. It defines the website as being a boring thing on the web that holds information about the brand, when it was founded, where it’s located, etc. In that regard I get it that we thought more exciting things could happen on social media. But it’s because we’re using it wrong, look at what Coca-Cola is doing with its corporate website, now here’s something interesting. How come nobody is doing that?
Think about the traffic and engagement you could have created if you would have invested in it all along. Think about how search made every page a homepage and how we can use to design user experiences. How you should invest a lot of effort in making sure there’s no link left behind when you change platforms.
Seriously. Do use Facebook and other platforms to experiment with different types of user engagement, I do too, it’s fun and there’s some really good stuff that can be done. But first and foremost, reconsider the importance of your website and your own email program, that’s an investment in the future that is never lost. It’s the smart thing to do. It’s yours. And quite frankly, if you cannot think of anything interesting to do with your own website, why do you think that problem will fix itself when creating content for social media?
A while ago 4 of the best comedians of all time met and talked about their profession, sharing a whole bunch of insites that are valuable for all of us. It’s impressive to see and hear how much preparation goes into a good standup comedy show and that it’s not because they make it look like they’re inventing the jokes on stage that they haven’t prepared it in the tiniest detail. Here’s what I believe strategists could learn from Louis CK, Ricky Gervais, Jerry Seinfeld and Chris Rock.
Find the unique human insights. Those things that we all recognise but that are often remain unsaid. When talking about how all 4 comedians find their jokes, they all make a reference to 2 very interesting things. First of all they don’t like ‘easy’ jokes. If you or I could have come up with the joke as well it’s probably not good enough. I like that. Secondly, while searching for their unique form of comedy they often get to human behavior that most of us recognize but don’t often talk about. At Duval Guillaume we search for what we call the ‘provocative insight’, those insights that are recognizable but often left unsaid. It’s there that we find a territory that will help us search for those creative ideas that will get people to talk about brands.
Keep a notebook with you all time, write down every little idea or piece of information, quote, … that you think has something of interest even if you don’t know what exactly what that something is when you write it down. Most comedians also develop their shows based on things they’ve read, heard, got annoyed by, … which eventually mixes up into a gread night out for all of us. Often in developing a good creative strategy it is about connecting the dots, it’s about making the connection between a piece of research, an article you’ve read somewhere, a drawing on the white board from another meeting, … Whether it’s a paper notebook or something else (I almost religiously chose for Evernote) write down everything that you thing sounds interesting when you hear it. You’ll find out later whether there is a use for it or not.
Talk about your ideas frequently with other people, also outside of the strategic department, also outside of the agency. By telling the idea you’ll find thing that don’t really sound right or still aren’t perfect match with your idea. And by the feedback, questions you’ll get you will refine your thoughts. Comedians will often try out their jokes (or partial jokes) on their friends, not only to see if they respond but ultimately to help develop the jokes. Jokes become better by sharing. It’s not that people will have to say whether they like the joke or not, it’s to see how they react so you can use that learning finetuning the joke. Same goes for strategy.
Deconstruct things / issues to the smallest little detail. While listening to Louis CK, Ricky Gervais, Jerry Seinfeld & Chris Rock I learned that they go to extreme lengths to tweak each joke in their show to the finest details. They say that it’s often the little things that make the greatest differences. The specific choice of words, the facial expressions, the posture on stage, … every little thing is tweaked to make sure it works perfectly. A strategy should be developed in the same way. It’s important the general vision of direction is the right one, but it are the little details that make it really come to life. Very often those little things are even more inspiring to creatives than the overarching thinking.
Know who you’re talking to and tweak your idea along the way. Even when you’ve done everything to prepare yourself, made sure that it will work every show is different, every audience is different. It’s a different city, another vibe, … but it’s important for comedians to ‘feel’ the room they’re performing in and add little tweaks to the show while they’re doing it. So apart from the obvious ‘hello city x’ which is different every time there will be more things that will need to be different every show. Of course when you’re a skilled comedian, it’s still you on stage so you can be agile throughout the show. Strategists need to apply that same agility. The strategy might look good on paper, allow it to evolve throughout the process. Maybe it’s the client that added a thought worth including or the creatives find ideas that will influence the strategy. None of that is bad as long as you focus on what the end result is so let it happen, tweak along the way.
Put the hours in. But that’s what you have to do in any job that you want to be successful in. Put the hours in, there’s no such thing as a free ride. I’ve blogged about this before and when you watch the video you’ll see that it’s a common element of success for all 4 comedians, they are all – still today – working very hard.
Watch the full ‘Talking Funny’ video to see for yourself how those 4 talented comedians look at their work: